We also love your great pot roast
Wednesday, September 12, 2012
Mama's birthday
We also love your great pot roast
Saturday, April 28, 2012
Emily Dickinson
Emily Dickinson was born in Amherst, Massachusetts on December 10, 1830. She was the middle of three children and was considered well-liked and attractive. For some reason, she cut herself off from society in her late-twenties. She dressed only in white and rarely left her home. Emily was a prolific writer of poetry but less than ten of her poems were published in her lifetime. Her sister, Lavina, found a drawer full of Emily's poems after her death in 1886. Lavinia published a book of Emily's poems in 1890 and now she is considered one of America's best loved poets.
We have learned that Emily didn't give titles to her poems and also at times employed a technique called "slant rhyme". This means that the last letters of two words might sound the same but the vowel sound is different so the words don't quite rhyme but they mostly do (thing, sang) . Another example would be the vowels are the same but the ending consonant is different (dark, heart).
We have been reading through a book of Emily's poems as well as some fictionalized children's books about Emily's life. Here are some of the books that we have read as well as a few of our favorite poems:
And a few poems:
Are you nobody, too?
Then there's a pair of us--don't tell!
They'd banish us, you know.
How public, like a frog
To tell your name the livelong day
To an admiring bog!
Tell all the Truth but tell it slant --
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind --
Tuesday, March 27, 2012
Anne of Green Gables
Scope for the imagination
The white way of delight
The lake of shining waters
A kindred spirit
The depths of despair
Anne spelled with an e
My life is a graveyard of buried dreams
We read this poem by Emily Dickinson today and thought that Anne would like it:
I dwell in Possibility--
A fairer House than Prose--
More numerous of Windows--
Superior--for Doors--
Of Chambers as the Cedars--
Impregnable of Eye--
And for an Everlasting Roof
The Gambrels of the Sky--
Of Visitors--the fairest--
For Occupation--This--
The spreading wide my narrow Hands
To gather Paradise--
Saturday, March 10, 2012
Having Fun Late Winter 2012
Tuesday, February 7, 2012
Henry Wadsworth Longfellow
Today we enjoyed this poem: The Tide Rises, The Tide Falls
The tide rises, the tide falls,
The twilight darkens, the curlew calls;
Along the sea-sands damp and brown
The traveler hastens toward the town,
And the tide rises, the tide falls.
Darkness settles on roofs and walls,
But the sea, the sea in darkness calls;
The little waves, with their soft, white hands
Efface the footprints in the sands,
And the tide rises, the tide falls.
The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveler to the shore.
And the tide rises, the tide falls.
Thursday, October 27, 2011
The Barefoot Boy by John Greenleaf Whittier
The Barefoot Boy
When the Frost is on the Punkin
Thursday, July 21, 2011
Maxfield Parrish

At the beginning of the summer, we enjoyed a book called: Maxfield Parrish : a treasury of art and children's literature compiled by Alma Gilbert. Parrish (1870-1966) was an illustrator around the turn of the 20th century. Above is my favorite Parrish illustration, Lantern Bearers. Anyway, I love the luminosity in his paintings which he accomplished through a fairly complicated process of alternating many layers of thin paint and varnish over stretched paper. Here are some examples of his work:




Have you ever heard of the Sugar-Plum Tree?
'Tis a marvel of great renown!
It blooms on the shore of the Lollipop sea
In the garden of Shut-Eye Town;
The fruit that it bears is so wondrously sweet
(As those who have tasted it say)
That good little children have only to eat
Of that fruit to be happy next day.
When you 've got to the tree, you would have a hard time
To capture the fruit which I sing;
The tree is so tall that no person could climb
To the boughs where the sugar-plums swing!
But up in that tree sits a chocolate cat,
And a gingerbread dog prowls below---
And this is the way you contrive to get at
Those sugar-plums tempting you so:
You say but the word to that gingerbread dog
And he barks with such terrible zest
That the chocolate cat is at once all agog,
As her swelling proportions attest.
And the chocolate cat goes cavorting around
From this leafy limb unto that,
And the sugar-plums tumble, of course, to the ground---
Hurrah for that chocolate cat!
There are marshmallows, gumdrops, and peppermint canes,
With stripings of scarlet or gold,
And you carry away of the treasure that rains
As much as your apron can hold!
So come, little child, cuddle closer to me
In your dainty white nightcap and gown,
And I 'll rock you away to that Sugar-Plum Tree
In the garden of Shut-Eye Town.
Wednesday, April 27, 2011
Magnetic Poetry
Sunday, January 23, 2011
A Poem
A PSALM OF LIFE
- Footprints on the sands of time ;
Saturday, October 23, 2010
Tea Time and The Lady of Shalott





Wednesday, February 10, 2010
More Snow Poems
Out of the bosom of the Air
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.
Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession
The troubled sky reveals
The grief it feels.
This is the poem of the air,
Slowly in silent syllables recorded;
This is the secret of despair,
Long in its cloudy bosom hoarded,
Now whispered and revealed
To wood and field.
The Snow Storm by Edna St. Vincent Millay
No hawk hangs over in this air:
The urgent snow is everywhere.
The wing adroiter than a sail
Must lean away from such a gale,
Abandoning its straight intent,
Or else expose tough ligament
And tender flesh to what before
Meant dampened feathers, nothing more.
Forceless upon our backs there fall
Infrequent flakes hexagonal,
Devised in many a curious style
To charm our safety for a while,
Where close to earth like mice we go
Under the horizontal snow.
Sunday, February 7, 2010
Snowstorm: February 2009
Thursday, February 4, 2010
The Sloth

THE SLOTH
In moving-slow he has no Peer.
You ask him something in his Ear,
He thinks about it for a Year;
And, then, before he says a Word
There, upside down (unlike a Bird),
He will assume that you have Heard -
A most Ex-as-per-at-ing Lug.
But should you call his manner Smug,
Hell sigh and give his Branch a Hug;
Then off again to Sleep he goes,
Still swaying gently by his Toes,
And you just know he knows he knows.
Theodore Roethke 1908-1963
Wednesday, December 2, 2009
Good bye Fall 2009
Painting is called "When Leaves Turn" by Grandma Moses
| ||
|
Thursday, April 23, 2009
God's Grandeur
The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs--
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
By Gerard Manley Hopkins
Monday, April 6, 2009
Abraham Lincoln by N.C. Wyeth

| | |||||||||||||||||||||||||||||||||||||||||||||||||||
By Walt Whitman | |||||||||||||||||||||||||||||||||||||||||||||||||||
Friday, March 27, 2009
Why Poetry?
Thought and feeling
Shadow and light
Community and solitude
Poetry deals with the epic of things both
Great and small
Sober and light hearted
Exotic and familiar
Poetry gives us a glimpse of life stripped down to its barest essence and shows the seed of promise and beauty in all things- even misery.
To some, poetry is a just a train of words across the page that goes
on and on
on and on
on and on....
But to me it is a lyrical and rhythmic melody flown straight from the heart.
Sunday, March 8, 2009
Mr. Nobody
I know a funny little man,
As quiet as a mouse,
Who does the mischief that is done
In everybody's house!
There's no one ever sees his face,
And yet we all agree
That every plate we break was cracked
By Mr. Nobody.
'Tis he who always tears our books,
Who leaves the door ajar,
He pulls the buttons from our shirts,
And scatters pins afar;
That squeaking door will always squeak,
For, prithee, don't you see,
We leave the oiling to be done
By Mr. Nobody.
He puts damp wood upon the fire,
That kettles cannot boil;
His are the feet that bring in mud,
And all the carpets soiled.
The papers always are mislaid,
Who had them last but he?
There's no one tosses them about
But Mr. Nobody.
The finger marks upon the door
By none of us are made;
We never leave the blinds unclosed,
To let the curtains fade.
The ink we never spill; the boots
that lying round you see
Are not our boots -- they all belong
To Mr. Nobody
Anonymous
Ha! Now I know where all those socks missing from the laundry went.
I find it interesting that this poem is by Anonymous.
(Maybe Mr. Nobody wrote it...!)






